

Our Lady of Zaro to Simona
June 26, 2020:
I saw Mother, she was all dressed in white, on her head was a delicate white veil studded with little golden stars and the crown of twelve stars. Mother had her arms open in a sign of welcome and in her right hand a long Holy Rosary made as if out of drops of ice. Mother had bare feet placed on a rock, under which a small stream of water was flowing. May Jesus Christ be praised…
My dear children, I come to you through the immense love of the Father. My children, seeing you here in my blessed woods fills my heart with joy; I love you, children. My dearly beloved children, the Lord is beside you, He is always beside you every day of your life: He is in the gentle breeze that caresses your face, in the song of the birds that cheers your heart, in the sweet scent that restores the soul, in the sun that warms you, in the moon that illuminates you at night, in the rain that makes the earth fertile, in the waves of the sea that gently caress the sand. The Lord, my children, is in all that surrounds you, everything is his gift. Children, the Lord Jesus is alive and true in the Blessed Sacrament of the altar, it is there that he awaits you: go to him. My children, kneel before him, present your whole life to him, entrust to him all your sufferings, give him all your anxieties, all your doubts, your problems, give him your joy, your love, give everything to him, my children, and He will not delay in comforting you, embracing you, comforting you. I love you, children, I love you and I want you all to be saved, which is why I am coming to ask you again for prayer, children: prayer said with the heart, with strength and faith. Strengthen your faith, my children, through the most holy sacraments. I love you, children, I love you. Now I give you my holy blessing. Thanks for having hastened to me.
Painting by Lea Mallett (wife of Mark Mallett). Available at markmallett.com
Posted in Messages, Simona and Angela.
Embracing Hope by Lea Mallett
Why Simona and Angela?
Alicja Lenczewska



Elizabeth Kindelmann
Through what became The Spiritual Diary, Jesus and Mary taught Elizabeth, and they continue to instruct the faithful in the divine art of suffering for the salvation of souls. Tasks are assigned for each day of the week, which involve prayer, fasting, and night vigils, with beautiful promises attached to them, laced with special graces for priests and the souls in purgatory. In their messages, Jesus and Mary say that The Flame of Love of the Immaculate Heart of Mary is the greatest grace given to mankind since the Incarnation. And in the not-so-distant future, her flame will engulf the entire world.
Father Stefano Gobbi
Why Gisella Cardia?
Thirdly, the messages have frequently been accompanied by visible phenomena, photographic evidence found in In Cammino con Maria, which cannot be the fruit of subjective imagination, notably the presence of the stigmata on Giselle’s body and and the appearance of crosses or religious texts in blood on Gisella’s arms. See the pictures taken from her apparition website 
Jennifer
Why Manuela Strack?

Why the Visionaries of Our Lady of Medjugorje?
Why Pedro Regis?
Why the Servant of God Luisa Piccarreta?
of the saints. It wasn’t until she became a “Daughter of Mary” that the nightmares finally ceased at the age of eleven. In the following year, Jesus began to speak interiorly to her especially after receiving Holy Communion. When she was thirteen, He appeared to her in a vision that she witnessed from the balcony of her home. There, in the street below, she saw a crowd and armed soldiers leading three prisoners; she recognized Jesus as one of them. When He arrived beneath her balcony, He raised his head and cried out: “Soul, help Me!” Deeply moved, Luisa offered herself from that day on as a victim soul in expiation for the sins of mankind.
immobile, rigid-like state that appeared almost as if she were dead. It was only when a priest made the sign of the Cross over her body that Luisa regained her faculties. This remarkable mystical state persisted until her death in 1947—followed by a funeral that was no little affair. During that period in her life, she suffered no physical illness (until she succumbed to pneumonia at the end) and she never experienced bedsores, despite being confined to her little bed for sixty-four years.
Valeria Copponi